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Paul Taylor American Modern Dance presents “Company B”
More of the 1940s American life. Here is “Oh Johnny Oh Johnny Oh!” by the Andrews Sisters where every girl in town is crazy about a certain little lad… featuring James Samson as Johnny and the Duchess on the mic.
“Company B”
Choreography: Paul Taylor
Dancers: James Samson and the Paul Taylor Dance Company
Photography: Jason Chuang
Paul Taylor American Modern Dance presents “Company B”
The optimism of the American youths in the early 1940s was soon overshadowed by the realities of the World War, as millions were sent into battle. In “I Can Dream, Can’t I?” Parisa Khobdeh bid goodbye to her sweetheart, uncertain of when (or if) they would reunite.
“Company B”
Choreography: Paul Taylor
Dancers: Parisa Khobdeh and the Paul Taylor Dance Company
Photography: Jason Chuang
Paul Taylor American Modern Dance presents “Company B”
With a touch of Latin American rhythm, Francisco Graciano danced all out — from his handsome entrance to leaps, barrel rolls, and floor slide — to the Brazilian choro “Tico Tico” made popular in America by the Andrews Sisters in 1944.
“Company B”
Choreography: Paul Taylor
Dancers: Francisco Graciano
Photography: Jason Chuang
#lcoutofdoors #paultaylordancecompany#ptdc #ptamd #moderndance
Paul Taylor American Modern Dance presents “Company B” at the Lincoln Center Out of Doors Festival.
Company B is the story of America in the 1940s. Jubilant youths were high in spirit as the nation began to emerge from the Great Depression.
“Company B”
Choreography: Paul Taylor
Dancers: Paul Taylor Dance Compnay
Photography: Jason Chuang
The Paul Taylor Dance Company accompanied by the Duchess at the Lincoln Center Out of Doors Festival on Friday.
With the Duchess performing songs of the Andrews Sisters, the Paul Taylor Dance Company put on “Company B,” a choreography set in the 1940s swing era as the United States emerged from the Great Depression and drawn into World War II.
Comprised of ten parts, each section of “Company B” tells a different story of the nation. Starting with youths jubilantly dancing the lindy hop, jitterbug, and polkas… we were then treated to hit songs of the era (“Tico Tico” and “Rum and Coca-Cola”)… before the storyline moved onto young lovers separated by war (“I Can Dream, Can’t I?”) and the heartbreak of losing a loved one (“There Will Never Be Another You”). As we watched Heather McGinley mourn on stage, we couldn’t help but feel for what the 1940s generation had gone through in a turbulent era.
“Company B – Bei Mir Bist du Schön”
Choreography: Paul Taylor
Dancers: Robert Kleinedorst, James Samson, Parisa Khobdeh, Sean Mahoney, Eran Bugge, Francisco Graciano, Laura Halzack, Michael Apuzzo, Michael Novak, Heather McGinley, George Smallwood, Christina Lynch Markham, Madelyn Ho, Kristin Draucker
Photography: Jason Chuang
The Paul Taylor Dance Company performed at the Lincoln Center Out of Doors Festival on Friday.
“Airs” is a happy, dynamic, and energetic choreography filled with jumps, lifts, and fluid movements meant to represent the air and water. Paul Taylor paints the stage with his dancers as gusts of wind, eddies in the river, clouds in the air. Everything is smooth and ever changing — like spending a day out in the nature, or like nature itself.
“Airs”
Choreography: Paul Taylor
Dancers: Michael Trusnovec, Robert Kleinendorst, George Smallwood, Michelle Fleet, Eran Bugge, Laura Halzack, Parisa Khobdeh
Photography: Jason Chuang
Another weekend in New York City filled with an amazing array of dance activities.
Go see Amy Seiwert’s Imagery at the Joyce Theater if you haven’t already. It’s the best show so far at this year’s Joyce Ballet Festival.
At Lincoln Center’s Out-of-Doors series of free summer events, the Paul Taylor Dance Company is performing tomorrow evening (Friday). TaylorNEXT is also hosting both pre- and post-show parities for dance lovers and supporters. Come join us!
Heidi Latsky Dance is on display on Saturday evening by the reflection pool. I’ll be checking them out before “Taming of the Shrew” by the visiting Bolshoi Ballet.
Hope you all have a great dance-filled weekend too!
Celebrating 50th anniversary of Jewels. Saw Emeralds, Rubies, and Diamonds this afternoon by Paris Opera Ballet, New York City Ballet, and Bolshoi Ballet. So beautiful! ❤️
Three of the world’s top ballet companies came together to jointly present Jewels in New York City this week, featuring a different cast each day. The question is not whether to see the show (definitely going) but which cast to see (considering the last row of orchestra starts at $150).
In the end, I went with Megan Fairchild in Rubies, because she was stunning in the role when City Ballet opened the season with Jewels. By extension, the choice meant I’ll see Emeralds with Paris Opera Ballet and Diamonds with Bolshoi Ballet.
First of all, Megan outdid herself today in the grand pas de deux. Wow! Megan was fast, dazzling, playful, fiery, and everything that Rubies represented. Second of all, Joaquin de Luz outshone Megan, which I did not think would be possible. Double wowwww!!! His leaps exploded in the air every time. I loved his playfulness. He not only matched Megan in expression and style, but went on to engage the four male dancers in the corps. With a glance here and a hand gesture there, he lead the men into splendid formations and marvelous leaps.
The famed Laëtitia Pujol took on the leading role in Emeralds. At 41 years of age, she was both gorgeous in her expressions and exact in her techniques. Every one of her assisted lifts soared through the air following the perfect arch and timing.
In contrast to the veterans of City and Paris Opera Ballet, Bolshoi casted Alena Kovaleva, an 18-year-old prodigy in the leading role for Diamonds. Last fall with City Ballet, Teresa Reichlen was tall, elegant, and stately in Diamonds. In comparison, Alena was softer in her presentation giving the piece a more royal, prosperous, and imperial feel. On the other hand, Alena’s lines and techniques were exquisite. Her grand battements cut through the air with dynamism and energy, and reached for… went through… the roof of the Koch Theater with every extension. She was very much a princess on stage, befitting of the sparkling diamonds, and carried the joint performance to a wonderful close.
Congrats to American Ballet Theatre for a wonderful Met Opera season.
You can still see many of your favorite ABT dancers on stage again on July 25-26. ABT’s very own Gemma Bond is presenting her works at the Joyce Theater Ballet Festival in collaboration with 16 incredible ABT dancers. Help support her project and the dancers!
Now, back to the closing night and my third visit this week with Tchaikovsky Spectacular.
I can’t decide which I like more: “Tchaikovsky Pas de Deux” or “Souvenir d’un lieu cher”.
Isabella Boylston and James Whiteside were stunning in “Tchaikovsky Pas de Deux”. The fast-paced duet is a treat filled with gorgeous aerials, and Isabella and James owned every one of them. ❤️❤️
Seeing “Souvenir d’un lieu cher” a second time allowed me to reinterpret this ballet, take in all its details, and appreciate the story even more. In a few short minutes, this ballet brings you inside the mind and soul of the lead character, her memories past, and her torn heart. It makes you feel nostalgia. It reminds you of first loves. It touches your raw emotions. The different cast tonight, newly promoted Devon Teuscher (congrats!), Cassandra Trenary, David Hallberg, and Tyler Maloney, beautifully danced the four roles. Bravos! 🤗🤗
Also, shoutouts to Jeffrey Cirio and Gabe Stone Shayer You were amazing in Mozartiana and Aurora’s Wedding!
My second evening of Tchaikovsky Spectacular with American Ballet Theatre! Tonight’s program features eight principals and four soloists in excerpts from four ballets.
I was floored by Alexei Ratmansky’s “Souvenir d’un lieu cher” (Memory of a dear place). What a beautiful choreography. What an emotional story about the intertwined lives of two pairs of lovers. What a perfect cast to deliver the dance.
Stella Abrera is gorgeous in her turns and leaps, but was even more stunning playing her sentimental and slightly temperamental character whose past (Alban) crossed into her present (Marcelo). Likewise, Marcelo Gomes and Alban Lendorf are absolutely amazing technically, but delivered even more amazing theatre tonight. Sarah Lane was wonderful as the jovial and perhaps innocent girl opposite Stella.
The chemistry among the cast is incredible. My favorite moment is when Alban kissed Sarah. Stella reacted with a sense of shock, denial, sadness… before she dashed off stage. Marcelo stood by the wings of the theater… just watching Stella, loving her, but knowing there is nothing he could do. Wow!!! ❤️❤️❤️
My other favorite of the night is AfterEffect by ABT’s very own Marcelo Gomes. The piece starts with a rare ensemble of 13 male dancers. The scene is beautifully choreographed and generously showcases the men’s movements. I love the large formations, some numbering 24+ dancers. I also love how Marcelo uses the crowd to draw attention to the soloists. Highlights include Cassandra Trenary flying high from above to kiss Cory Stearns below amongst a sea of dancers. Congrats on the Met Opera House premier!!
Finally, love James Whiteside‘s explosiveness and Misty Copeland‘s musicality and playfulness in The Nutcracker’s Act II Pas de Deux.