Program I of “Balanchine: The City Center Years” at New York City Center on Wednesday.
Memorable moments from the opening night include…
Kimin Kim‘s jumps in “Tschaikovsky Pas de Deux”. The crowd collectively gasped when he leaped off for the first time, and stayed in the air forever and ever. Kimin continued to impress throughout the piece, executing some of the best jumps I’ve seen, and owned the spotlight in this duet.
Anna Rose O’Sullivan and Marcelino Sambe were amazing in “Tarantella”. They were playful, technical, and daring. I love the chemistry between them, and look forward to seeing them perform “Tschaikovsky Pas de Deux” tomorrow night!
Tiler Peck, Ashley Bouder, Anthony Huxley, and New York City Ballet were lovely in “Symphony in C”. Miami City Ballet opened the night with a beautiful presentation of “Serenade”.
New York City Ballet. April 25th at the Koch Theater.
The highlight of the night goes to Tiler Peck and Joaquin de Luz‘s Tschaikovsky Pas de Deux. I can’t even begin to describe how absolutely incredible Tiler and Joaquin were. So, here are screenshots of Tiler’s own words about their partnering. When Tiler says they went for [the leaps], you know it’s going to be out-of-this-world stunning. Yes, we had as much fun watching you as you did on stage!
The rest of the “All Balanchine” program featured Apollo, Le Tombeau de Couperin, and Symphony in Three Movements.
“Classic New York City Ballet” by New York City Ballet was amazing this afternoon!
“The Four Seasons” was absolutely gorgeous with 49 dancers (!!!) in the piece. Sterling Hyltin and Chase Finley perfectly captured Spring, but Ashley Boulder, Zachary Catazaro, and Roman Mejia stole the show with Fall. I enjoyed seeing two of my favorite ballerinas, Maria Kowroski and Tiler Peck, on stage together in “Oltremare” as well as Megan Fairchild in “Square Dance.” Also, the promenade of the Koch Theater was beautifully decorated with sculptures by Jihan Zencirli.
The Four Seasons, choreographed by Jerome Robbins with music by Giuseppi Verdi, presents a series of scenes depicting Winter, Spring, Summer, and Fall. The opening scene of Winter was both elegant (dancers dressed in all white) and humorous (dancers rubbing their hands to keep themselves warm, against a backdrop of falling snowflakes). Sterling and Chase perfectly captured the exuberance of Spring with Sterling’s bright personality and Chase’s (and the boys’) leaps. They looked like young leaves sprouting and eagerly shooting into the air. Summer was hot and slow, and wonderfully conveyed by Ashley Laracey and Taylor Stanley. My favorite season goes to Fall which felt like a ginormous harvest celebration, filled with non-stop dancing, parades, and lots of impressive turns.
Oltremare explores the feeling of being an immigrant: Constantly moving, searching for a better life, yet never at home. While the central theme is all about emotions, the piece also features tons of highly technical moves. I felt Maria and Tiler, both highly expressively and also super technical, played the parts perfectly. Ashly Isaacs and Megan LeCrone were both lovely in their roles, too.
My favorite part of Square Dance goes to “square dancing” geometric group patterns with intricate ballet steps.
As a side note, I thought I was seeing doubles when the sisters, Claire and Emma Von Enck danced together in the Four Season. I had to check the program to make sure I wasn’t imagining it.
Had a wonderful time tonight at New York City Ballet Here/Now Festival featuring works by Christopher Wheeldon. Thrilled to see many of my favorite dancers on stage.
My favorite piece goes to American Rhapsody. Set to the music of George Gershwin, the choreography reminds me of An American in Paris: a love story filled with playful moments, cheerful music, and non-stop movements that make everything feel larger than life.
Unity Phelan was absolutely amazing in the lead role in American Rhapsody. Also loved her duets in Polyphonia especially the 9th piano piece. How is Unity only a soloist?????
Tiler Peck was incredible in Mercurial Manoeuvres with so much control, so much speed, and yet perfect stillness when the music demands it. So beautiful.
Finally saw Lauren Lovette in a lead role after two seasons with NYCB. Loved watching Maria Kowroski again. Bravos to Amar Ramasar and Russell Janzen as well.
At the ballet today with New York City Ballet featuring three creative choreographies by Jerome Robbins. Feeling inspired and looking forward to my classes with Dorit Koppel this week!
Saw the magic of Robbins’ first choreography, Fancy Free, that eventually went onto Broadway as On the Town. (Wish Tiler Peck danced more than just the passers-by role though.) Sterling Hyltin was gorgeous and lovely and funny in the comedy, The Concert. Finally, Moves, a ballet in silence, was full of beautiful, powerful, and (as Miss Dorit would call it) juicy movements. My favorite has to be the Pas de Deux in Moves, with 11 dancers constantly weaving in and out of the many duets happening at all once on stage.