American Ballet Theatre. May 14th at the Met Opera House.
Opening night of the ABT Met Opera season. Loved the beautiful dancing by Hee Seo in Giselle.
Opening Night of ABT Met Opera Season
ABT Fall Gala
The American Ballet Theatre fall season opened tonight with the Fall Gala performance.
My favorite goes to Christopher Wheeldon’s Thirteen Diversions. Love the pairing of Skylar Brandt (full of energy, happiness, and power) and Sarah Lane (gentle and graceful). Other memorable moments include Stella Abrera and Thomas Forster‘s duet (beautiful with a dramatic opening when they, dressed in white, stood against a sea of dancers in black) and Misty Copeland and Gray Davis’ second duet.
The world premiere of “The Gift” is stunning too. Happy. Dynamic. Uplifting. Choreographed by Jessica Lang and performed by 40+ dancers dressed in all white from the ABT Apprentices, ABT Studio Company, and the Upper 2 and 1 students at the Jacqueline Kennedy Onassis School. I love Jessica’s use of (so many) dancers on stage. There’s both structure and spontaneity. Everything just flows, with beautiful transitions, dramatic build-ups, and the gorgeous lines. Love the wonderful energy and the passion from these young dancers. Bravos to a lovely performance!
ABT Season Preview
Preview of the American Ballet Theatre fall season at the Guggenheim Museum tonight.
Caught the gorgeous Gillian Murphy in an excerpt of “Thirteen Diversions” (and heard her speak in an interview). Looking forward to the ABT Gala on October 18th!
More from the evening. Saw Benjamin Millepied working with Devon Teuscher, Catherine Hurlin, Misty Copeland, David Hallberg, and Cory Stearns on “I Feel the Earth Move” (and heard about his childhood in Senegal and the influence of modern and African dance). A glimpse of Isabella Boylston and Thomas Forster in “Elegy Pas de Deux”. Of course, Blaine Hoven dancing with Gillian!
Fall for Dance: Day Six
Learnt a little more about classical Indian dance tonight from a Czech Indian dancer.
Still love Les Ballets Trockadero de Monte Carlo. The ballerina chest bump before the finale (what a way to end a ballet parody, right?) actually reminded me of a personal story… but let’s leave that offline!
ABT’s Souvenir d’un lieu cher is also lovely. On this fourth occasion seeing the performance, I interpreted the choreography differently. I always thought the dance was the stories of the two couples. Tonight, I had the strange feeling perhaps it’s actually the dream/desire of one of the girls?
ABT Met Opera Season
Congrats to American Ballet Theatre for a wonderful Met Opera season.
You can still see many of your favorite ABT dancers on stage again on July 25-26. ABT’s very own Gemma Bond is presenting her works at the Joyce Theater Ballet Festival in collaboration with 16 incredible ABT dancers. Help support her project and the dancers!
Now, back to the closing night and my third visit this week with Tchaikovsky Spectacular.
I can’t decide which I like more: “Tchaikovsky Pas de Deux” or “Souvenir d’un lieu cher”.
Isabella Boylston and James Whiteside were stunning in “Tchaikovsky Pas de Deux”. The fast-paced duet is a treat filled with gorgeous aerials, and Isabella and James owned every one of them. ❤️❤️
Seeing “Souvenir d’un lieu cher” a second time allowed me to reinterpret this ballet, take in all its details, and appreciate the story even more. In a few short minutes, this ballet brings you inside the mind and soul of the lead character, her memories past, and her torn heart. It makes you feel nostalgia. It reminds you of first loves. It touches your raw emotions. The different cast tonight, newly promoted Devon Teuscher (congrats!), Cassandra Trenary, David Hallberg, and Tyler Maloney, beautifully danced the four roles. Bravos! 🤗🤗
Also, shoutouts to Jeffrey Cirio and Gabe Stone Shayer You were amazing in Mozartiana and Aurora’s Wedding!
More Tchaikovsky Spectacular
My second evening of Tchaikovsky Spectacular with American Ballet Theatre! Tonight’s program features eight principals and four soloists in excerpts from four ballets.
I was floored by Alexei Ratmansky’s “Souvenir d’un lieu cher” (Memory of a dear place). What a beautiful choreography. What an emotional story about the intertwined lives of two pairs of lovers. What a perfect cast to deliver the dance.
Stella Abrera is gorgeous in her turns and leaps, but was even more stunning playing her sentimental and slightly temperamental character whose past (Alban) crossed into her present (Marcelo). Likewise, Marcelo Gomes and Alban Lendorf are absolutely amazing technically, but delivered even more amazing theatre tonight. Sarah Lane was wonderful as the jovial and perhaps innocent girl opposite Stella.
The chemistry among the cast is incredible. My favorite moment is when Alban kissed Sarah. Stella reacted with a sense of shock, denial, sadness… before she dashed off stage. Marcelo stood by the wings of the theater… just watching Stella, loving her, but knowing there is nothing he could do. Wow!!! ❤️❤️❤️
My other favorite of the night is AfterEffect by ABT’s very own Marcelo Gomes. The piece starts with a rare ensemble of 13 male dancers. The scene is beautifully choreographed and generously showcases the men’s movements. I love the large formations, some numbering 24+ dancers. I also love how Marcelo uses the crowd to draw attention to the soloists. Highlights include Cassandra Trenary flying high from above to kiss Cory Stearns below amongst a sea of dancers. Congrats on the Met Opera House premier!!
Finally, love James Whiteside‘s explosiveness and Misty Copeland‘s musicality and playfulness in The Nutcracker’s Act II Pas de Deux.
Star Spotting at the Met Opera
Star spotting tonight at the Met Opera!
The final week of American Ballet Theatre season is the Tchaikovsky Spectacular. Tonight’s program features excerpts from four ballets… or put differently, a chance to see six principals and five soloists on stage in a single night (and that’s just the top billed artists).
Two of my favorite stars, Gillian Murphy and James Whiteside, duetted in a fun Tchaikovsky Pas de Deux. As the tempo picked up, the aerials only got faster and higher, cultivating in Gillian leaping into two gorgeous fish dives and an overhead lift by James to end the piece. Bravos! Thank you for the treat!!! 🔥😍😘
Cassie Trenary was lovely as Princess Aurora in Aurora’s Wedding. Sadly, Herman Cornejo was injured and unable to perform as Prince Désiré.
Costuming for the wedding is absolutely stunning. Love Alexandra Basmagy‘s dress as the Queen (and her beautiful performance earlier in the night in Mozartiana alongside Catherine Hurlin). My favorite step of all times is the mazurka, and so naturally I adored ensemble of mazurka dancers.
We got a preview of the White Cat on instagram during intermission by Elina Miettinen, who came out as the purrrfect sassy kitten. Don’t mess with this one. Meow! 😻
Swan Lake: Misty Copeland
Second night of Swan Lake with American Ballet Theatre. We all fell in love and died with Misty Copeland and Herman Cornejo.
Absolutely love Misty especially her as the black swan. The sharp dramatic releases as she pushes away from Prince Siegfried. The gaze of her eyes, constantly scanning the room and hunting for her prey. Odile is pure evilness. Wow!
Tonight was ballet theatre at its finest. I could feel the entire theater falling in love with Misty and Herman by the Lakeside, and crying audibly as they drown themselves. I had tears in my eyes as the lovers re-unite in life after death.
And then, we were treated to more delicious dancing: Herman’s gorgeous leaps where he floats in the air forever, ever, and ever. Misty and Herman’s incredible coda in Act III. Lovely pas de trois by Skylar Brandt, Cassie Trenary, and Jeffrey Cirio. And James Whiteside, as the flamboyant von Rothbart, commanding the Great Hall.
Swan Lake: Isabella Boylston
Swan Lake at American Ballet Theatre tonight. What a wonderful show!!
I finally saw Isabella Boylston in a lead role for the first time, and got to meet her during the backstage tour! Though still nursing an injury, Isabella captured her roles perfectly: magnificent as Odette and playful if not mischievous as Odile. No fouette sequence tonight, but her lines and extensions are just gorgeous. Wishing you a speedy full recovery, Isabella.
Not to be outdone, Alban Lendorf was impeccable as Prince Siegfried. I love their duets but also Alban’s solos at the Great Hall: so powerful yet so musical. As if two-and-half hours of ballet wasn’t exhausting enough, Alban made a grand exit at the very end. Jetting across the stage and taking one of the highest and biggest leap, following Odette, to his death. Wow. Talk about partnering and chemistry. 😉
Bravos to Skylar Brandt for going all out in the pas de trois at the Birthday Party. Having heard wonderful things about her debut as Medora in Le Corsaire, I was excited to see her tonight. And what gorgeous leaps and turns! I will definitely be looking out for Skylar in the future.
p.s. Read more about Isabella and Alban’s partnering in New York Times this week.
Le Corsaire
My favorite ballet so far this season at American Ballet Theatre!
Such a dynamic, high-energy, non-stop show from beginning to end. So many incredible moments tonight.
Jeffrey Cirio as Lankendem draws applause from the audience two seconds into his solo for the most amazing and powerful split leap. Cassie Trenary, Catherine Hurlin, and Katherine Williams are absolutely gorgeous as the odalisques. Love the musicality, energy, and playfulness of Craig Salstein and Zhong-Jing Fang‘s duet as Birbanto and the Lead Pirate Woman.
Male dancers have so many fun leap-and-turn combos in this ballet. Love James Whiteside as Conrad and Joo Won Ahn as Ali. Both the theatrical and technical sides of Misty Copeland Misty Copeland shine through as Gulnare. She’s “dramatically” shy tonight unlike Queen of Shemakhan, but oh my look at those turns and lifts!!! Of course, the leading ballerina Hee Seo as Medora is so lovely too. No wonder a whole kingdom plus some more pirates all fall for her.