Fall for Dance: Program 2

WOW. JUST WOW.

Malevo owned the stage tonight. For a second night in a row at New York City Center, tap dancing took the cake at Fall for Dance. However, Malevo is waaaay beyond just tap or “Argentine folk dance” as the group describes itself.

It’s the most energetic and most energizing show I’ve seen in a long time — combining tapping/clogging, drumming, precision footwork, lighting, sound, and so much more.

Other memorable performances tonight include the unusual, unexpected, and wild French hip-hop dance company Compagnie Dyptik, and the beautiful Washington Ballet.

Fall for Dance: Program 1

Caleb Teicher and Company with Chris Celiz owned the stage tonight, with their tap dancing and beatboxing collaboration.

I love the way Caleb’s dancers move their bodies and interact with one another, in addition to tapping.

I also looooove the way Caleb introduces comedy into tapping. It’s absolutely ingenious how an extra sound, a prolonged pause, or the dragging the side of his tap shoe across the stage at just perfect moment could bring the audience to laughter.

His choreography was creative, ever-changing, and I wanted more after the 30-minute performance!

Tootsie

Good comedy, but the empty attempt to recast the story as advocating for gender equity failed miserably.

The plot is about an unemployed male actor, pretending to be a woman in order to land a job on Broadway. The mismatched and mistaken identities provided plenty of materials for laughs. The show was engaging and funny from the beginning to the end.

However, the show tried to superficially add a layer of pretense that it’s also promoting gender equality. The attempt failed miserably.

The analogy comparing “an actor lying his way to get a woman’s job” to “a man walking a mile in a woman’s shoes” did not fly. What lessons did the lead character learn from his mistakes? None, except he didn’t get laid. What did he suffer from telling outrageously lies? Nothing, except as a man he can walk away freely without consequences.

Women’s struggles, in the workplace and in the entertainment industry, were brushed over with a few clique expressions, and never explored in any serious manner. All the “blames” were placed on women, for not being able to balance their professional vs. personal life. The male character who fell for a strong woman was ridiculed in the plot.

Finally, if the show is seriously about gender equity… how about actually creating strong lead roles for women?

Come From Away

Re-watching this amazing musical on the eve of the 18th anniversary of 9/11.

Still so touching. Still made me cry. Still made me laugh at the stupid Newfoundland jokes. Still one of my all-time favorite musical.

Yet I couldn’t shake a sense of sadness.

The unity we displayed and the bond we shared after 9/11 have been thoroughly destroyed since 2016 — by political actors who choose to divide us, sow distrust, and create divisions amongst us for their personal power grab.

Where do we as a nation stand today, compared to 18 years ago?

Cultivated Chaos

I had a wonderful evening at Cultivated Chaos, a full-length show created and produced by Julia Kane, to benefit the Memorial Sloan Kettering Cancer Center.

Some of my favorite moments include…

Stunning open scene to “Garden” by Sadie McNamara and Christophe Desorbay

Seeing the full version of “Stand By” by Christophe, Mica Butnar, Alicia Kee, and Jacob Spallino

Old favorites such as “100 Years” alongside new favorites such as “Take Me Home” and “Hurts 2B Human”

Plus, the sight of Julia Kane as tall as Megan Kirsch

A big congrats to Julia Kane Dance Collective and bravos to all the wonderful dancers Anakeiry Cruz, Cathryn Cioper, Julie Hricko, Ingrid Chang, Jordan Cassetta, Mica Romulo, Rachel Waldman, and more.

#jkdchaos

Sea Wall/A Life

I enjoyed “A Life” by Jake Gyllenhaal more than “Sea Wall”.

Overall though, the format of the show felt more like a book reading rather than a stage performance.

#DateMe

Go see #DateMe!!!

It’s the only show ever to encourage the audience members to leave their cell phone *ON* so that we can swipe, message, and hook up with each other during the show.

Laughed non-stop and had the most wonderful time as we searched for love.

Beautiful: The Carole King Musical

Another favorite musical of mine. I’ll be so sad to see it close in October, and naturally have to watch it again.

I loved Carole King’s album, Tapestry, as I was growing up. The songs spoke to me, but what a surprise it was when I first saw Beautiful, to learn about Carole’s life story. Suddenly, her singing took on a whole different level of meaning. I also enjoyed her many other wonderful compositions in the musical.

Also Elena Ricardo was amazing as Carole King tonight!