An American in Paris

I got tickets to “An American in Paris” at the West End three months ago, on the very day I found out I’m coming to London.

So happy to experience one of my all-time favorite musicals again.

On a different note, crazy insane major congratulations to my ballet teacher Deanna Doyle who debuted as Lise on the US national tour of “An American in Paris” last night. 🤗😃😍

Pinocchio by Jasmin Vardimon

Pinocchio by the Jasmin Vardimon Company at Sadler’s Wells was incredible this evening.

What is it to be human? To dream, to strive, and to love. Tonight I felt the aspiration, sadness, loneliness, and love… both on stage and deep inside myself as I laughed and cried with Pinocchio.

Absolutely loved this piece of dance theatre: a wonderful choreography that brought a marionette to life, and even more amazing dancers who executed the movements.

So stunning was the movement quality that I had to rub my eyes multiple times to truly believe I was seeing real people. Nobody could possibly move like so?! No dancers could possibly partner so well and be so coordinated?!?!?! Especially memorable scenes include: chapter 1 when Pinocchio first came alive, chapter 4 at the Marionette Theatre (insane puppet work whereby two dancers controlled a third “puppet” dancer), chapter 6 at the Inn (especially the human ceiling fan and the two lovers who were portrayed by four feet), and chapter 13 when Pinocchio was taunted and bullied (and when I cried and others audibly gasped). Other beautiful moments: the Fairy and the start/ending scene with a chain of dancing toys.

Creative set design that floated in the air. Expressive lighting design that enhanced several key scenes.

Wish I had come yesterday and seen the show a second time.

The Royal Ballet and Northern Ballet

The Royal Ballet and Northern Ballet at the Royal Opera House, London.

Six dance companies in the UK came together for a celebration, presenting works by Kenneth MacMillan.

I was told it’s an unprecedented collaboration. If only I had arrived earlier, I could have also seen the English National Ballet, Scottish Ballet (who were superb in New York earlier this spring), Birmingham Royal Ballet, and Yorke Dance Project as well. This national festival continues until November 1st.

Tero Saarinen Company

​Tero Saarinen Company at the Joyce Theater.

One of the more polarizing and abstract performances I’ve seen. As I sat in the 7th row of the theater, I counted at least 5 audience members in front of me who (in the middle of the show) stood up and walked out.

At least to me, the abstractness wasn’t the issue. I didn’t particularly enjoy the execution, but I was mostly bothered by the content.

Tero Saarinen explained at the curtain chat that “Morphed” as performed by 7 male dancers is about masculinity. More specifically, in his own words, there are “too many numb angry men in the world.” He wants to show that men can have sensuality and sensitivity, that these “weakness” can actually make men stronger, even though it’s often hard for men to be fragile. A sizable group stayed for the post-performance talkback, and were enthusiastic about the discussion.

However, here’s my main objection to the show. I’m so sick and tired of even hearing about these “male roles” perpetuated by a patriarchal society.

Alexandra Petri wrote in her opinion piece in the Washington Post yesterday, in response to the Harvey Weinstein sexual assaults: “I am sick of having to suffer so a man can grow. … I am not the one who should be ashamed that you [Harvey Weinstein and the likes] have done these things. I am not here to make you see the error of your ways. I am here to get through my life every day without inhaling thick lungfuls of smoke.”

Coincidentally, tonight’s performance was momentarily interrupted and delayed because of a medical emergency when a man had a seizure. During the curtain chat, an audience member near the man recalled the incident and described him as “the stereotypical New Yorker on a date, aggressive, and possibly intoxicated.” The wording including “stereotypical” was hers, not mine. The adjectives associated with the stereotypical men on a date in New York were interesting to note, if not upsetting.

Despite being unconscious when the house lights first came on, and then slumping into his seats twice, the man was still disobeying the Joyce Theatre (female) staff’s directions — while she was on the call with 911, relaying messages from operator, trying to save his life). When the NYFD arrived a few minutes later, he had regained some strength, and decided to push his way past the first respondents, leaving the medical personnels stunned — standing alone in the middle of the theater with their stretcher and first aid kits on their hands. Well done, sir! What a great display of your masculinity! What a waste of 15 minutes of 400+ people’s time, critical medical resources, and care from the Joyce Theater staff.

I’m sorry that I stayed for the whole show. Should not have wasted 90 minutes for these “men” to grow up and be a useful member of the society.

ABT Fall Gala

The American Ballet Theatre fall season opened tonight with the Fall Gala performance.

My favorite goes to Christopher Wheeldon’s Thirteen Diversions. Love the pairing of Skylar Brandt (full of energy, happiness, and power) and Sarah Lane (gentle and graceful). Other memorable moments include Stella Abrera and Thomas Forster‘s duet (beautiful with a dramatic opening when they, dressed in white, stood against a sea of dancers in black) and Misty Copeland and Gray Davis’ second duet.

The world premiere of “The Gift” is stunning too. Happy. Dynamic. Uplifting. Choreographed by Jessica Lang and performed by 40+ dancers dressed in all white from the ABT Apprentices, ABT Studio Company, and the Upper 2 and 1 students at the Jacqueline Kennedy Onassis School. I love Jessica’s use of (so many) dancers on stage. There’s both structure and spontaneity. Everything just flows, with beautiful transitions, dramatic build-ups, and the gorgeous lines. Love the wonderful energy and the passion from these young dancers. Bravos to a lovely performance!

The Band’s Visit

Preview of a new musical on Broadway.

Lovely singing and music in this story of a group of Egyptian musicians who mistakenly travelled to a small Israeli town in the middle of the desert. Wonderful performance by Katrina Lenk as Dina. However, the plot felt a little cliché (e.g., falling in love in one evening), slow, and some subplots didn’t add much to the story… just prolonging the wait time between the beautiful songs. Make sure you stay after the curtain bows for more music!

On a separate note, very very detailed “props” with actors cutting watermelons and eating real bowls of salad on stage.

Choroegraphers and Cocktails

“Choroegraphers and Cocktails” by the Joyce Theater at Gibney Dance tonight.

Had a wonderful time seeing the many wonderful artists in rehearsal including my favorites Shanna Irwin and Youngsil Kim and new members Eriko Sugimura and Brandon Taylor Gray of Complexions Ballet, reconnecting with swing dancers Kevin Clark and meeting new friends Gaby Cook.

Naturally, the two penguins got a little wild from the euphoria of seeing so much dancing… or maybe they’re just tipsy from the cocktails.

Fall for Dance: Day Ten

Still love the beautiful “Solo Echo” choreographed by Crystal Pite and performed by Hubbard Street Dance Chicago, after seeing tonight’s program for a second time.

Immensely enjoyed the powerful aerials by the men of San Francisco Ballet in “Concerto Grosso.” Bravos to Max Cauthorn, Diego Cruz, Esteban Hernandez, Wei Wang, and Lonnie Weeks.

Also, finally met up with fellow dancer and enthusiastic supporter of dance, @dea_dance, after first meeting on instagram. Here’s to a great upcoming season of dance! 😃