Orpheus Highway (dance)

Another great program with L.A. Dance Project at the Joyce Theater this afternoon.

“Hearts and Arrows” is so much fun to watch!! In fact, it’s so dynamic and joyful that I want to join the dancers on stage. I could totally see myself doing movements (assuming I have enough technique) and loving the sensations.

Gaga’s “YAG” is intensely emotional. I’ve never felt the theater so still and so silent. Everyone held their breath, either out of respect or due to psychological shock, as each cast pronounced the death of their family members. As the onstage grief built up, actions as simple as Lilja Rúriksdóttir mechanically and repetitively doing a dozen push-ups triggered a sense of sorrow in me. Wow!

I like symbolism of the wife taking on the husband’s identify. I also like some of the unexpected artistic choices, such as the nude scene at the end and dancers crushing the line of fortune cookies. A couple things went a little too far and felt strange, like actually eating the fortune cookie. Over all though, I love the piece!

Saw “Orpheus Highway” again today, sitting dead center in the theater instead of house left. The small change in angle made a big difference. While the beginning felt chaotic seen from house left, the layers of film and live dancing felt coherent today. Janie Taylor stepped in for Rachelle Rafailedes today, which meant the film is not an exact replica of the dancers, but everything felt right in place.

Great job L.A. Dance Project! Merde and enjoy your second week in New York!

Fun times with L.A. Dance Project at the Joyce Theater yesterday.

Justin Peck’s “Murder Ballades” starts out with child-like plays, blossoming relationships, and ends with dynamic spirited solos by each of the six dancers. Shoutout to David Adrian Freeland Jr for his turns! Wow! I also enjoy the choice of having male dancers do the more grounded movements and the female dancers leap into the air in the solos.

Benjamin Milllepied’s “Orpheus Highway” is the composite of a dance film, live dancing, and live music. It’s one of the few dance/video hybrid works that actually makes sense! I find the beginning a little distracting, but everything comes together nicely in the chase scene, the parking lot scene, through the railway track finale.

During the post-show curtain chat, we learnt that layers of dancers/musicians are supposed to mirror the original music which is composed for three string quartets. I’m mot sure if the motive came through, but it’s certain an interesting piece of work. Look forward to seeing LA Dance Project’s other program tomorrow!