Had to go back and see this show again. Such beautiful dancing!
(Spoiler alert below)
I think Freddie is actually my favorite character! I love her upbeat personality, the constant smile on her face, and of course her dance moves.
nyc.dancr
Freddie Falls in Love is amazing!!!
Go see this wonderful dance play, at the Joyce Theater through Sunday, August 4th.
I’ve seen abstract dance theatre before, but I love how this dance play tells a specific story. The storytelling, done without a spoken word, is brilliant. We feel every emotion on stage, including the major plot twist at the end. The narrative aside, the dancing by the entire cast is absolutely gorgeous too!
More belated posts from May.
Parsons Dance at the Joyce Theater. Matinee on May 26.
It’s always worthwhile to go back and see Parsons Dance a second time during their New York season at the Joyce!
My favorites this season:
I love the whole concept of “Round My World” and the beautiful lines and movements.
I also love “Eight Women”, a piece that’s inspired by great women in history, created to honor Aretha Franklin, and set on the company by guest choreographer Trey McIntyre.
Memorable moments include Deidre Rogan’s wonderful presence in the opening scene and Zoey and Katie Garcia’s beautiful duet to the song “Natural Woman”.
More belated posts from May.
Parsons Dance at the Joyce Theater on May 25.
The highlight of the night goes to Zoey Anderson’s stunning performance of “Caught”. Her incredible strength, combined with her flexibility, elevates the already difficult choreography, consisting of more than 100 jumps within 5 minutes, to a whole different level.
Wonderful performance by the ABT Studio Compan at the Joyce Theater tonight.
I specially love Kanon Kimura and Melvin Lawovi in Tarantella, and Chloe Misseldine as Kitri and Joseph Markey as Basilio in the Wedding Suite of Don Quixote, but really all six dances tonight were absolutely amazing. What a talented group of young dancers. Bravos!!!
Finding unexpected relationships and structure in randomness… with Merce Cunningham at the Joyce Theater tonight.
Had a great time watching Martha Graham Dance at the Joyce Theater.
My favorites this afternoon go to Deo and Hérodiade.
Deo is a world premiere choreographed by Maxine Doyle and Bobbi Jene Smith featuring an all-female cast, and explores the relationship between mothers and daughters. I loved the incredible amount of energy in the piece. Sections of the dance reminded me of Pina Bausch’s the Rite of Spring. e.g., When the women came together and moved rapidly in a tight formation (into the ground, arms crossing their chest, beating their feet to create rhythm) and individual women broke out into their own solo. Even the opening scene, when all but one dancer were lying flat on the ground, felt powerful.
I also enjoyed seeing Martha Graham’s distinct movement vocabulary so vividly executed by Xin Ying and Anne Souder as a woman and her attendant in the 1944 choreography, Hérodiade.
A few belated posts from March…
Aspen Santa Fe Ballet at the Joyce Theater on Sunday, March 24.
I thoroughly enjoyed Aspen Santa Fe Ballet‘s last visit to the Joyce Theater, and liked learning about their focus on fostering new and creative works. I’ve been curious about what they would present this year.
My favorite today was “Dream Play” by Fernando Melo. The piece has so many unique and unexpected moments.
First and foremost, it’s theatre piece about a pair of lovers, about our desires, and about a dream world. The entire scene is set flat on the floor, with the dancers lying on the stage. The dancers move, roll, crawl, “walk” while lying on one shoulder, “fly” by gliding across the stage on a dolly. The choreography is captured and projected onto a screen via an overhead camera in real time. The movements feel both realistic — the dancers did an incredible job mimicking real-life activities as they “walk” across the stage — and surreal — without gravity, the dancers can jump as high as they want, walk a tightrope, spin, fly in all manners imaginable. I loved how the choreography took advantage of the stage setup and the dream-like environment to create such a rich movement vocabulary.
Second, interspersed between the storytelling were several gorgeous “human” kaleidoscope scenes. The dancers, wearing costumes with high contrast lines, would sit on the floor and move their arms, legs, and torso in beautiful geometric patterns. The patterns, when captured by the overhead camera, formed gorgeous — I mean absolutely gorgeous — shapes that looked like a kaleidoscope but more stunning in every way.
Finally, my favorite moment is when the storytelling and the kaleidoscope scenes merged at the end, and the two lovers burst out of the “human” kaleidoscope in the midst of a sea of spinning red umbrellas. The picture and the movements were just sooooo beautiful.
Hubbard Street presented three choreographies by Crystal Pite in their second week at the Joyce Theater.
I love how Crystal creates the connections between the dancers… from our relationship with ourselves in “A Picture of You Falling” and “The Other You”… to how 14 dancers work together and in contrast with each other in “Grace Engine.”
What a stunning program tonight!!! Hubbard Street presented “Decadence/Chicago”, a collection of excerpts from choreographies by Ohad Naharin. I am completely overwhelmed by the creativity, ingenuity, and the power of Ohad’s work. Bravos to the Hubbard Street dancers for an incredible presentation. It’s so wonderful to finally see piece such as “Minus 16” live on stage.
(top photo courtesy of the Joyce Theater)