The Royal Ballet and Northern Ballet

The Royal Ballet and Northern Ballet at the Royal Opera House, London.

Six dance companies in the UK came together for a celebration, presenting works by Kenneth MacMillan.

I was told it’s an unprecedented collaboration. If only I had arrived earlier, I could have also seen the English National Ballet, Scottish Ballet (who were superb in New York earlier this spring), Birmingham Royal Ballet, and Yorke Dance Project as well. This national festival continues until November 1st.

Tero Saarinen Company

​Tero Saarinen Company at the Joyce Theater.

One of the more polarizing and abstract performances I’ve seen. As I sat in the 7th row of the theater, I counted at least 5 audience members in front of me who (in the middle of the show) stood up and walked out.

At least to me, the abstractness wasn’t the issue. I didn’t particularly enjoy the execution, but I was mostly bothered by the content.

Tero Saarinen explained at the curtain chat that “Morphed” as performed by 7 male dancers is about masculinity. More specifically, in his own words, there are “too many numb angry men in the world.” He wants to show that men can have sensuality and sensitivity, that these “weakness” can actually make men stronger, even though it’s often hard for men to be fragile. A sizable group stayed for the post-performance talkback, and were enthusiastic about the discussion.

However, here’s my main objection to the show. I’m so sick and tired of even hearing about these “male roles” perpetuated by a patriarchal society.

Alexandra Petri wrote in her opinion piece in the Washington Post yesterday, in response to the Harvey Weinstein sexual assaults: “I am sick of having to suffer so a man can grow. … I am not the one who should be ashamed that you [Harvey Weinstein and the likes] have done these things. I am not here to make you see the error of your ways. I am here to get through my life every day without inhaling thick lungfuls of smoke.”

Coincidentally, tonight’s performance was momentarily interrupted and delayed because of a medical emergency when a man had a seizure. During the curtain chat, an audience member near the man recalled the incident and described him as “the stereotypical New Yorker on a date, aggressive, and possibly intoxicated.” The wording including “stereotypical” was hers, not mine. The adjectives associated with the stereotypical men on a date in New York were interesting to note, if not upsetting.

Despite being unconscious when the house lights first came on, and then slumping into his seats twice, the man was still disobeying the Joyce Theatre (female) staff’s directions — while she was on the call with 911, relaying messages from operator, trying to save his life). When the NYFD arrived a few minutes later, he had regained some strength, and decided to push his way past the first respondents, leaving the medical personnels stunned — standing alone in the middle of the theater with their stretcher and first aid kits on their hands. Well done, sir! What a great display of your masculinity! What a waste of 15 minutes of 400+ people’s time, critical medical resources, and care from the Joyce Theater staff.

I’m sorry that I stayed for the whole show. Should not have wasted 90 minutes for these “men” to grow up and be a useful member of the society.

ABT Fall Gala

The American Ballet Theatre fall season opened tonight with the Fall Gala performance.

My favorite goes to Christopher Wheeldon’s Thirteen Diversions. Love the pairing of Skylar Brandt (full of energy, happiness, and power) and Sarah Lane (gentle and graceful). Other memorable moments include Stella Abrera and Thomas Forster‘s duet (beautiful with a dramatic opening when they, dressed in white, stood against a sea of dancers in black) and Misty Copeland and Gray Davis’ second duet.

The world premiere of “The Gift” is stunning too. Happy. Dynamic. Uplifting. Choreographed by Jessica Lang and performed by 40+ dancers dressed in all white from the ABT Apprentices, ABT Studio Company, and the Upper 2 and 1 students at the Jacqueline Kennedy Onassis School. I love Jessica’s use of (so many) dancers on stage. There’s both structure and spontaneity. Everything just flows, with beautiful transitions, dramatic build-ups, and the gorgeous lines. Love the wonderful energy and the passion from these young dancers. Bravos to a lovely performance!

The Band’s Visit

Preview of a new musical on Broadway.

Lovely singing and music in this story of a group of Egyptian musicians who mistakenly travelled to a small Israeli town in the middle of the desert. Wonderful performance by Katrina Lenk as Dina. However, the plot felt a little cliché (e.g., falling in love in one evening), slow, and some subplots didn’t add much to the story… just prolonging the wait time between the beautiful songs. Make sure you stay after the curtain bows for more music!

On a separate note, very very detailed “props” with actors cutting watermelons and eating real bowls of salad on stage.

Choroegraphers and Cocktails

“Choroegraphers and Cocktails” by the Joyce Theater at Gibney Dance tonight.

Had a wonderful time seeing the many wonderful artists in rehearsal including my favorites Shanna Irwin and Youngsil Kim and new members Eriko Sugimura and Brandon Taylor Gray of Complexions Ballet, reconnecting with swing dancers Kevin Clark and meeting new friends Gaby Cook.

Naturally, the two penguins got a little wild from the euphoria of seeing so much dancing… or maybe they’re just tipsy from the cocktails.

Fall for Dance: Day Ten

Still love the beautiful “Solo Echo” choreographed by Crystal Pite and performed by Hubbard Street Dance Chicago, after seeing tonight’s program for a second time.

Immensely enjoyed the powerful aerials by the men of San Francisco Ballet in “Concerto Grosso.” Bravos to Max Cauthorn, Diego Cruz, Esteban Hernandez, Wei Wang, and Lonnie Weeks.

Also, finally met up with fellow dancer and enthusiastic supporter of dance, @dea_dance, after first meeting on instagram. Here’s to a great upcoming season of dance! 😃

Fall for Dance: Day Nine

Tonight’s program opened with a bang! Absolutely stunning performance of “Solo Echo” by Hubbard Street Dance Chicago. Choreographed by Crystal Pite. Flawlessly executed by the seven amazing dancers with impeccable techniques: Jacqueline Burnett, Kellie Epperheimer, Michael Gross, Elliot Hammans, Alice Klock, Kevin Shannon, and Florian Lochner (replaced Andrew Murdock).

Beautiful combination of contemporary, modern, jazz, and ballet. So much power and emotion in the individual dancers. What’s more, I love how the group moves and flows as one. Definitely one of my favorite pieces, out of all five programs in this year’s festival.

San Francisco Ballet came out flying (figuratively and literally) with “Concerto Grosso” choreographed by Helgi Tomasson that showcased their five gorgeous male dancers.

Danza Contemporanea de Cuba capped the night with energetic formations of 24 dancers.

Ballet West

Ballet West at the Joyce Theater tonight… and a curtain chat with Adam Sklute about the company’s versatility, experience with reality TV, and his own career from a dancer at Joffrey Ballet to artistic director at Ballet West.